1 00:00:00,010 --> 00:00:02,610 "Tell my father that he has to go pick up 2 00:00:02,690 --> 00:00:04,610 to your grandson today at one, okay? 3 00:00:04,690 --> 00:00:07,410 I love it, grandpa. Don't call me grandpa. 4 00:00:07,490 --> 00:00:10,810 Some idiots did this. Well, I like it. 5 00:00:10,890 --> 00:00:11,890 How ugly it is. 6 00:00:11,970 --> 00:00:15,170 Art is not about ugly things or pretty things, 7 00:00:15,250 --> 00:00:18,770 but about things that excite you or make you think. 8 00:00:18,850 --> 00:00:21,210 I like this one. A great work, without a doubt. 9 00:00:21,290 --> 00:00:23,450 (WOMAN) "Destap-Arte awakens consciences 10 00:00:23,530 --> 00:00:25,330 to get out of bourgeois lethargy 11 00:00:25,410 --> 00:00:27,490 that accepts the legacy of history. 12 00:00:27,570 --> 00:00:29,650 How low the revolutionary spirit has fallen. 13 00:00:29,730 --> 00:00:31,850 Give me that. What happened? What did he do? 14 00:00:31,930 --> 00:00:34,170 What do you have in your hand? It's a coal. 15 00:00:34,250 --> 00:00:35,530 He took it from a construction site. 16 00:00:35,610 --> 00:00:36,610 (Photography) 17 00:00:41,210 --> 00:00:44,330 Now yes. Leave everything as it was again. 18 00:00:44,410 --> 00:00:46,610 Haven't you eaten anything? No. 19 00:00:46,690 --> 00:00:48,610 The babysitting service ended. 20 00:00:48,690 --> 00:00:50,250 But, dad, are you crazy? 21 00:01:02,410 --> 00:01:04,770 (Indistinct conversations) 22 00:01:25,930 --> 00:01:27,050 (WOMAN) Security! 23 00:01:27,130 --> 00:01:30,450 -We want to draw attention to climate change! 24 00:01:30,530 --> 00:01:34,130 Let's stop the indiscriminate abuse of natural resources! 25 00:01:34,210 --> 00:01:35,250 -Don't record. 26 00:01:35,330 --> 00:01:38,250 (GIRL) Is this the planet you want to leave? 27 00:01:38,330 --> 00:01:40,250 A sterile and contaminated world! 28 00:01:40,330 --> 00:01:42,770 What is more important, art or life? 29 00:01:43,130 --> 00:01:44,210 Take off your... 30 00:01:44,850 --> 00:01:46,130 (Screams) 31 00:01:52,970 --> 00:01:56,650 (BREATHES HARDLY) 32 00:01:56,730 --> 00:01:59,530 (slow casual music) 33 00:03:28,530 --> 00:03:30,610 (SIGH) 34 00:03:37,250 --> 00:03:39,770 The whole week of "homeless"? Yes. 35 00:03:41,730 --> 00:03:44,410 I can't believe... Hello, sorry for the delay. 36 00:03:44,490 --> 00:03:46,890 Antonio, this is Alma Kramer. 37 00:03:46,970 --> 00:03:49,330 Nice to meet you, delighted. If we know each other, 38 00:03:49,410 --> 00:03:51,890 We have seen each other several times. How are you? 39 00:03:51,970 --> 00:03:53,970 Yes, well, what about you? 40 00:03:54,490 --> 00:03:55,570 Very good. 41 00:03:56,130 --> 00:03:58,810 Well, how many projects do we have? 42 00:03:59,330 --> 00:04:01,370 A dozen, right? Yes, 12. 43 00:04:01,450 --> 00:04:04,690 In the first meeting we had with Leo there were six, 44 00:04:04,770 --> 00:04:07,210 and in the second these two have survived. 45 00:04:07,490 --> 00:04:10,450 This is a group of Africans called "Em'Be", 46 00:04:10,530 --> 00:04:13,570 They are from Senegal. It is a collective of "performers" 47 00:04:13,650 --> 00:04:16,770 who propose to reproduce his life in a museum room. 48 00:04:16,850 --> 00:04:20,610 They would come to Madrid with several of their personal objects 49 00:04:20,690 --> 00:04:24,690 and they would set them up in the room recreating their own habitat. 50 00:04:24,770 --> 00:04:27,850 Now, and what would the "performance" consist of? 51 00:04:27,930 --> 00:04:31,530 That's the best thing about the project, they don't do anything in particular. 52 00:04:31,610 --> 00:04:35,050 There is no dance or anything theatrical, they propose living in the living room 53 00:04:35,130 --> 00:04:37,210 as if it were your home in Senegal. 54 00:04:39,290 --> 00:04:40,650 For how long? 55 00:04:40,730 --> 00:04:43,330 One month, is what we put in the call. 56 00:04:43,410 --> 00:04:45,890 The idea is to live in the room 24 hours a day, 57 00:04:45,970 --> 00:04:47,890 when the museum is open, 58 00:04:47,970 --> 00:04:51,890 but also when it is closed. They are going to eat, they are going to sleep... 59 00:04:53,610 --> 00:04:54,850 And where are they going to shit? 60 00:04:58,250 --> 00:04:59,290 Sorry, but, 61 00:05:00,010 --> 00:05:03,370 Where do they go to wash themselves, wash the dishes, throw away the trash? 62 00:05:03,450 --> 00:05:04,450 Is it planned? 63 00:05:04,970 --> 00:05:08,050 Well they could use the facilities, the kitchen, 64 00:05:08,130 --> 00:05:10,330 the staff bathrooms and they will be 65 00:05:10,410 --> 00:05:13,730 accompanied by security. It is totally safe. 66 00:05:13,810 --> 00:05:14,930 And how many are there? 67 00:05:15,010 --> 00:05:16,010 13. 13? 68 00:05:16,330 --> 00:05:19,890 Yes, it is a very heterogeneous group, we liked that a lot too. 69 00:05:21,050 --> 00:05:24,970 The project is very much in line with the concepts 70 00:05:25,050 --> 00:05:29,410 and contemporary problems such as extraterritoriality, 71 00:05:29,490 --> 00:05:32,530 transnationalities, exiles... 72 00:05:33,530 --> 00:05:35,890 Yes, I know that verse. 73 00:05:36,810 --> 00:05:38,770 And the other, what does it consist of? 74 00:05:40,330 --> 00:05:44,210 The other is the new project by Dutchman Theo Van der Vaart. 75 00:05:45,610 --> 00:05:49,810 It is an unprecedented performance, a world premiere, 76 00:05:49,890 --> 00:05:54,010 which would give a lot of prestige to the institution 77 00:05:54,090 --> 00:05:57,810 because all museums are dying to program it. 78 00:05:58,170 --> 00:06:00,530 How strange that, being so required, he chooses 79 00:06:01,170 --> 00:06:04,170 enter a contest as small as this. 80 00:06:04,250 --> 00:06:07,250 No, he usually makes these kinds of strange choices. 81 00:06:07,330 --> 00:06:10,530 Last year he was invited to the Tate Modern in London 82 00:06:10,610 --> 00:06:13,850 for the project you want with an unlimited budget. 83 00:06:13,930 --> 00:06:15,850 He told them no, and a few weeks later 84 00:06:15,930 --> 00:06:18,170 set up a facility financed by him 85 00:06:18,250 --> 00:06:21,170 in a town in Cuba, which no one saw. 86 00:06:21,250 --> 00:06:24,690 He is an eccentric, he must be the first artist in history 87 00:06:24,770 --> 00:06:27,850 that rejects a Tate Modern project, incredible. 88 00:06:27,930 --> 00:06:29,490 It doesn't seem like it to me, 89 00:06:29,570 --> 00:06:32,210 I think it's a very good move, yes. 90 00:06:33,450 --> 00:06:35,890 Instead of being the eightieth artist, 91 00:06:36,210 --> 00:06:39,250 who does his performance at the Tate, 92 00:06:39,530 --> 00:06:42,730 He says no and is the first artist to reject them. 93 00:06:42,810 --> 00:06:46,050 Very smart of you. And what does it consist of? 94 00:06:46,530 --> 00:06:48,930 The project is called "Being an artwork". 95 00:06:49,010 --> 00:06:53,010 The artist mixes with the museum visitors, 96 00:06:53,090 --> 00:06:57,250 and invites random people from the audience to stand on pedestals 97 00:06:57,330 --> 00:07:01,890 that are arranged in the room. Once there they must stay still 98 00:07:01,970 --> 00:07:05,130 in any position as if they were a work of art. 99 00:07:05,210 --> 00:07:08,010 The action reverses the equation 100 00:07:08,090 --> 00:07:11,250 between the work and the viewer. 101 00:07:15,610 --> 00:07:16,610 Anthony? 102 00:07:17,370 --> 00:07:18,490 Anthony! 103 00:07:18,570 --> 00:07:19,570 Yes. 104 00:07:19,650 --> 00:07:22,370 I was explaining Van der Vaart's project. 105 00:07:22,450 --> 00:07:25,890 Which, in short, consists of breaking binary logic 106 00:07:25,970 --> 00:07:27,770 between the work and the viewer. 107 00:07:27,850 --> 00:07:29,090 Yes I understand. 108 00:07:29,490 --> 00:07:33,330 It may seem new to you, but to me it seems older than bread, 109 00:07:33,410 --> 00:07:34,410 but oh well. 110 00:07:34,890 --> 00:07:36,850 Are we sure that these two 111 00:07:36,930 --> 00:07:39,530 Are they the best projects? (NODS) 112 00:07:39,610 --> 00:07:43,490 We have analyzed them all, one by one, and we agree that these two 113 00:07:43,570 --> 00:07:46,850 They are the most interesting, but if you want to review them yourself. 114 00:07:46,930 --> 00:07:48,250 No, it's not necessary. 115 00:07:49,410 --> 00:07:52,450 No, it's okay. Which one do we go for then? 116 00:07:53,570 --> 00:07:54,610 The collective? 117 00:07:56,690 --> 00:07:58,210 Let's go for the collective. 118 00:07:58,290 --> 00:08:00,690 (Tribal music with drums) 119 00:08:16,730 --> 00:08:17,930 Is there anything new? 120 00:08:19,090 --> 00:08:22,010 The plane is supposed to have arrived two hours ago. 121 00:08:23,650 --> 00:08:26,050 It's very rare. You are with the cartel, right? 122 00:08:27,930 --> 00:08:29,970 No, of course, it won't be difficult 123 00:08:30,050 --> 00:08:32,170 recognize 13 Africans together. 124 00:08:32,250 --> 00:08:34,490 Have you asked about information? 125 00:08:35,570 --> 00:08:36,770 And what have they told you? 126 00:08:37,490 --> 00:08:40,570 Please, how useless. Call me as soon as they show up. 127 00:08:40,650 --> 00:08:43,970 (PA) "In 10 minutes the museum will close its doors." 128 00:08:44,050 --> 00:08:46,290 (sad piano music) 129 00:08:57,890 --> 00:08:59,650 (Mobile call) 130 00:09:04,850 --> 00:09:05,850 Hello? 131 00:09:06,930 --> 00:09:07,930 Have they arrived? 132 00:09:10,090 --> 00:09:12,050 At last. And what has happened? 133 00:09:12,970 --> 00:09:14,010 As? 134 00:09:15,010 --> 00:09:18,290 Well, okay, tell me later. Come on, I'll wait for you here. 135 00:09:19,810 --> 00:09:20,810 (SIGH) 136 00:09:20,890 --> 00:09:23,930 One speaks Spanish. He says they had them for five hours. 137 00:09:24,010 --> 00:09:27,450 interrogating and checking them. They even stripped some of them naked. 138 00:09:27,530 --> 00:09:29,410 As? Look, it's that one over there. 139 00:09:29,490 --> 00:09:31,730 (COLLECTIVE) (SPEAKING IN WOLOF) Thank you. 140 00:09:36,170 --> 00:09:39,530 Hello! "Welcome." Welcome, I'm Leo. 141 00:09:39,610 --> 00:09:41,530 Leo. Bayé. 142 00:09:41,610 --> 00:09:43,690 Hello, Baye. We have spoken by email. 143 00:09:43,770 --> 00:09:46,250 Yes. And sorry for the delay. 144 00:09:46,330 --> 00:09:48,930 Please, I would have to apologize to you. 145 00:09:49,010 --> 00:09:51,970 in the name of Spain for what they have been put through. 146 00:09:52,050 --> 00:09:54,730 Luckily we are here, so nothing happens. 147 00:09:54,810 --> 00:09:57,290 Do you need help with something? No, calm down. 148 00:09:57,370 --> 00:09:59,170 Sure? They are very heavy packages 149 00:09:59,250 --> 00:10:01,850 and we can do it, thank you very much. 150 00:10:01,930 --> 00:10:05,090 (SPEAKS IN WOLOF) 151 00:10:06,290 --> 00:10:09,890 We have prepared some typical Spanish snacks and sausages, 152 00:10:10,450 --> 00:10:13,410 and a leg of top quality Jabugo ham. 153 00:10:13,730 --> 00:10:16,170 I'm sorry, but we don't eat pork. 154 00:10:16,770 --> 00:10:18,250 Oh... Oh, oh, oh... 155 00:10:18,330 --> 00:10:20,650 Forgive me, we didn't know. No problem. 156 00:10:21,810 --> 00:10:25,370 In the staff area there are changing rooms and bathrooms with showers, 157 00:10:25,450 --> 00:10:28,130 and a kitchen with everything you may need. 158 00:10:28,210 --> 00:10:30,650 Anything missing, tell me. 159 00:10:30,730 --> 00:10:33,810 Thanks, but, we make do with what we brought. 160 00:10:34,410 --> 00:10:37,810 Okay. Well, if you don't need anything else, I'm leaving. 161 00:10:40,050 --> 00:10:41,090 See you tomorrow. 162 00:10:47,370 --> 00:10:49,730 (COLLECTIVE) (SPEAKING IN WOLOF) 163 00:10:51,610 --> 00:10:56,490 (BAYÉ) (SPEAKS IN WOLOF) 164 00:10:57,450 --> 00:10:59,490 (COLLECTIVE) (SPEAKING IN WOLOF) 165 00:11:07,850 --> 00:11:10,930 (MAN BY WALKIE) "All quiet. No movement." 166 00:11:11,490 --> 00:11:13,450 (intrigue music) 167 00:11:13,810 --> 00:11:16,170 (WOMAN BY WALKIE) "Everything is in order here." 168 00:11:16,450 --> 00:11:17,450 - "Received". 169 00:11:18,050 --> 00:11:20,850 (MAN BY WALKIE) "Carlos, do you copy me?" 170 00:11:20,930 --> 00:11:21,930 - "Yes, I copy you." 171 00:11:24,130 --> 00:11:25,970 (Intriguing music continues) 172 00:11:39,930 --> 00:11:43,130 (MAN BY WALKIE) "Permanent room with no news." 173 00:11:43,450 --> 00:11:44,690 - "Okay. Got it." 174 00:11:45,650 --> 00:11:48,930 It seems that Spain has forgotten the times of wars 175 00:11:49,010 --> 00:11:50,250 (computer keys) 176 00:11:50,330 --> 00:11:52,930 in which our ancestors survived 177 00:11:53,010 --> 00:11:55,490 thanks to the solidarity of other countries. 178 00:11:57,930 --> 00:12:00,770 The true dignity and generosity of a country, 179 00:12:01,370 --> 00:12:02,970 manifests itself precisely 180 00:12:03,850 --> 00:12:05,570 In situations of this type, 181 00:12:06,330 --> 00:12:08,250 where, instead of shaking hands 182 00:12:09,450 --> 00:12:12,010 to peoples going through difficult times, 183 00:12:13,530 --> 00:12:16,890 We close the door on them, we expel them, 184 00:12:18,210 --> 00:12:20,810 or, as in the specific case that summons us, 185 00:12:23,210 --> 00:12:26,650 We humiliate them and harass them as much as possible. 186 00:12:27,490 --> 00:12:30,850 So that? To give a univocal message: 187 00:12:31,770 --> 00:12:34,850 "You are not welcome in these lands." 188 00:12:35,730 --> 00:12:37,050 Isn't it a little strong? 189 00:12:38,530 --> 00:12:42,050 No, not at all, on the contrary, I think I have fallen short. 190 00:12:42,130 --> 00:12:45,490 I want it to go to the media, to post it on the networks, 191 00:12:45,570 --> 00:12:48,250 Thus the immigration ones are well exposed. 192 00:12:48,650 --> 00:12:49,730 Okay, anything else? 193 00:12:50,250 --> 00:12:52,530 No. Have you already met the group? 194 00:12:52,610 --> 00:12:55,250 That? To African artists. 195 00:12:55,890 --> 00:12:58,730 I have seen them, but as they passed by, I passed them by. 196 00:12:58,810 --> 00:13:00,050 I didn't mean to interrupt. 197 00:13:00,130 --> 00:13:02,850 If you want, I can bring them to your office and you can meet them. 198 00:13:02,930 --> 00:13:05,130 There is no need, there will be no shortage of opportunity. 199 00:13:06,210 --> 00:13:08,450 When do they open? No, they don't open. 200 00:13:09,090 --> 00:13:11,330 No, there will not be any inauguration. 201 00:13:11,410 --> 00:13:13,290 I spoke with Bayé and he told me 202 00:13:13,370 --> 00:13:16,810 that the "performance" began yesterday when stepping into the museum. 203 00:13:18,050 --> 00:13:20,890 Is no one going to present them? No, nothing happens. 204 00:13:21,410 --> 00:13:24,650 Some will pass by, others will understand 205 00:13:24,730 --> 00:13:28,370 that it is an artistic action, or they will be left with doubt, 206 00:13:28,450 --> 00:13:30,050 that is the idea of the work. 207 00:13:30,130 --> 00:13:32,650 The information is on the facade. 208 00:13:32,730 --> 00:13:35,810 Well, better. I'm sick of inaugurations. 209 00:13:36,650 --> 00:13:38,930 (Indistinct conversations) 210 00:13:40,970 --> 00:13:43,490 (Percussion) 211 00:13:58,010 --> 00:13:59,010 Baye! 212 00:13:59,850 --> 00:14:01,970 Meet our director. 213 00:14:02,810 --> 00:14:07,050 Director, we are very grateful for your generosity. 214 00:14:07,130 --> 00:14:09,530 Thank you very much, welcome. 215 00:14:09,610 --> 00:14:12,450 We will be seeing each other here these days, 216 00:14:12,730 --> 00:14:15,290 Whatever they need, they ask Leo, okay? 217 00:14:15,370 --> 00:14:17,810 And thank you very much for the letter you published. 218 00:14:19,170 --> 00:14:21,490 You didn't have to defend us. No. 219 00:14:21,770 --> 00:14:24,370 There was more left, I did it to be able to differentiate myself 220 00:14:24,450 --> 00:14:26,650 of those ignorant and racists. 221 00:14:26,730 --> 00:14:27,730 (NODS) 222 00:14:27,810 --> 00:14:30,570 (SPEAKS IN WOLOF) 223 00:14:33,570 --> 00:14:36,450 (MAN) (SPEAKS IN WOLOF) (BAYÉ) (SPEAKS IN WOLOF) 224 00:14:40,690 --> 00:14:44,250 (BAYÉ) (SPEAKS IN WOLOF) (MAN) (SPEAKS IN WOLOF) 225 00:14:44,810 --> 00:14:46,650 (MAN) (SPEAKS IN WOLOF) 226 00:14:52,770 --> 00:14:53,770 (ALL) (LAUGH) 227 00:14:58,170 --> 00:14:59,170 Thank you. 228 00:14:59,450 --> 00:15:00,690 You are welcome. Thank you. 229 00:15:20,130 --> 00:15:21,130 (LAUGH) 230 00:15:24,930 --> 00:15:26,530 (Phone calls) 231 00:15:32,250 --> 00:15:33,810 (Ringtones) 232 00:15:35,890 --> 00:15:37,210 "Marisa, what's wrong?" 233 00:15:37,290 --> 00:15:38,850 Sorry to bother you, 234 00:15:38,930 --> 00:15:40,770 but he's been gone for an hour 235 00:15:40,850 --> 00:15:43,530 and we had to review the week's agenda, 236 00:15:43,610 --> 00:15:45,810 then he leaves and everything is left pending. 237 00:15:45,890 --> 00:15:47,890 Is it in the museum? "Yes, I'm here." 238 00:15:48,170 --> 00:15:50,890 In Leo's office? If you want I'll go there. 239 00:15:50,970 --> 00:15:52,890 "I'm not in Leo's office." 240 00:15:53,290 --> 00:15:54,290 In the cafeteria? 241 00:15:54,570 --> 00:15:57,050 "Neither, Marisa. I'll be back shortly." 242 00:15:57,130 --> 00:15:59,370 If it's in the main room I can go. 243 00:15:59,450 --> 00:16:01,050 "I'm in the bathroom, Marisa. 244 00:16:01,330 --> 00:16:04,250 It's the shitty stew the Africans gave me. 245 00:16:04,330 --> 00:16:05,530 "I'll be back in a while." 246 00:16:06,170 --> 00:16:10,730 Yes, excuse me, Antonio. I'm so sorry. I'm sorry. 247 00:16:24,090 --> 00:16:25,730 The whore who gave birth to them. 248 00:16:28,530 --> 00:16:31,250 (Indistinct conversations) 249 00:16:37,610 --> 00:16:38,610 Hello. 250 00:16:44,050 --> 00:16:46,810 (Slow casual piano music) 251 00:17:07,970 --> 00:17:11,450 (Television in French) 252 00:17:28,850 --> 00:17:31,530 (Indistinct conversations) 253 00:17:41,170 --> 00:17:42,650 Baye! Yes. 254 00:17:45,610 --> 00:17:47,090 Hello. Hello. 255 00:17:47,770 --> 00:17:49,850 The last day has arrived 256 00:17:49,930 --> 00:17:52,010 and I want to organize the disassembly. 257 00:17:52,290 --> 00:17:55,850 You have the flight tomorrow and the editors have already been notified 258 00:17:55,930 --> 00:17:57,410 to take it all apart today. 259 00:17:57,490 --> 00:18:01,050 Look, I wanted to talk to you about something very important. 260 00:18:01,530 --> 00:18:02,530 Clear. 261 00:18:03,370 --> 00:18:06,130 We already know that today is the last day, 262 00:18:06,210 --> 00:18:08,770 but I wanted to ask you on behalf of everyone, 263 00:18:09,170 --> 00:18:10,770 prolong the performance. 264 00:18:11,530 --> 00:18:12,610 Prolong it? 265 00:18:13,210 --> 00:18:16,050 Yes, we want to extend it for a while longer. 266 00:18:16,330 --> 00:18:18,730 The truth is that they have treated us very well 267 00:18:19,010 --> 00:18:21,810 and the whole group is very happy. 268 00:18:21,890 --> 00:18:24,490 And we know that the public liked it. 269 00:18:24,570 --> 00:18:27,130 Yes, but that is not possible. 270 00:18:29,450 --> 00:18:30,450 Please. 271 00:18:31,730 --> 00:18:34,130 Bayé, I really feel it in my soul... 272 00:18:34,210 --> 00:18:36,130 Please. Bayé, what are you doing? 273 00:18:36,690 --> 00:18:38,690 Stand up, please, I'm asking you. 274 00:18:38,770 --> 00:18:40,330 Bayé... (SPEAKS IN WOLOF) 275 00:18:40,410 --> 00:18:42,090 Bayé, please get up. 276 00:18:42,650 --> 00:18:44,570 Get up, please, I'm asking you. 277 00:18:44,650 --> 00:18:48,010 Please, we want to stay. Bayé, please get up. 278 00:18:48,090 --> 00:18:50,290 Please do me a favor. I ask you to get up. 279 00:18:50,850 --> 00:18:52,650 Please, we want to stay. 280 00:18:53,050 --> 00:18:54,330 That they don't want to leave? 281 00:18:54,410 --> 00:18:58,090 He got down on his knees asking to prolong the performance. 282 00:18:58,170 --> 00:18:59,330 No way. 283 00:18:59,410 --> 00:19:02,850 This is what I said, that we have a schedule and we need 284 00:19:02,930 --> 00:19:04,650 prepare the next sample. 285 00:19:04,730 --> 00:19:07,210 That's right, pick up everything and leave today. 286 00:19:07,930 --> 00:19:10,810 At one point he opened up and told me that, 287 00:19:10,890 --> 00:19:14,250 Now that they have managed to enter Europe, they do not want to return. 288 00:19:14,330 --> 00:19:17,650 He has told me many dramas that live in his country, 289 00:19:17,730 --> 00:19:18,730 terrible things. 290 00:19:19,210 --> 00:19:20,290 Clear. 291 00:19:21,530 --> 00:19:24,650 Why don't you take them home if you feel sorry for them? 292 00:19:25,410 --> 00:19:28,410 I have also told him that that is not possible, of course. 293 00:19:29,250 --> 00:19:30,250 And then? 294 00:19:30,330 --> 00:19:32,650 It's just that Manuel has gotten in the way. 295 00:19:32,730 --> 00:19:36,370 The union supports them and they do not plan to throw them out on the streets. 296 00:19:36,450 --> 00:19:38,330 What a tough face, Manuel! 297 00:19:38,650 --> 00:19:40,610 He becomes the defender of minorities. 298 00:19:40,690 --> 00:19:42,730 What are we going to do then? Nothing. 299 00:19:44,450 --> 00:19:48,530 I will go and tell them personally that they have to leave immediately. 300 00:19:49,250 --> 00:19:50,250 How alive, huh? 301 00:19:51,370 --> 00:19:54,090 They take advantage of their situation to extort. 302 00:19:54,170 --> 00:19:55,970 I don't know worse baseness. 303 00:20:00,850 --> 00:20:02,850 You wait for me here, please. 304 00:20:09,130 --> 00:20:10,130 Baye! 305 00:20:14,650 --> 00:20:17,450 Tell me what's happening. Mr. Director, 306 00:20:17,930 --> 00:20:20,970 The situation in our country is very difficult. 307 00:20:21,050 --> 00:20:22,050 (NODS) 308 00:20:22,130 --> 00:20:23,650 And we don't want to go back. 309 00:20:23,730 --> 00:20:27,290 You don't have to tell me anything because I am completely 310 00:20:27,370 --> 00:20:30,930 To your credit, you are victims of a horrible situation. 311 00:20:31,530 --> 00:20:32,770 The problem here, 312 00:20:33,490 --> 00:20:35,690 among us, she is the minister. 313 00:20:37,410 --> 00:20:40,210 She is a very brave woman, very bad, 314 00:20:40,290 --> 00:20:41,570 probably racist 315 00:20:42,250 --> 00:20:43,970 and he wants them to leave now. 316 00:20:44,050 --> 00:20:45,770 I don't know who told him. 317 00:20:45,850 --> 00:20:48,930 She said she was going to call the police, but I stopped her. 318 00:20:49,010 --> 00:20:52,730 I told him to let me talk to you to see if you would reconsider. 319 00:20:53,650 --> 00:20:57,370 It breaks my heart, but... 320 00:20:58,090 --> 00:21:01,090 The best thing for you is to disarm everything 321 00:21:01,170 --> 00:21:02,250 and leave today, 322 00:21:03,250 --> 00:21:06,250 because I don't know how far this woman can go. 323 00:21:07,130 --> 00:21:08,610 But, director... It's like that. 324 00:21:08,690 --> 00:21:10,530 Bayé, it is the best for you. 325 00:21:11,810 --> 00:21:12,810 Ready. 326 00:21:14,650 --> 00:21:17,010 Solved: the minister's fault. 327 00:21:22,890 --> 00:21:25,730 We want to talk about our African colleagues. 328 00:21:25,810 --> 00:21:28,810 That has nothing to do with you and it is already resolved. 329 00:21:28,890 --> 00:21:32,010 He knows what they are suffering. Enough, Manuel. Please. 330 00:21:35,650 --> 00:21:36,890 What a cunt. 331 00:21:38,130 --> 00:21:40,850 They carry on as if nothing had happened, they haven't picked up their things. 332 00:21:40,930 --> 00:21:42,010 The fucking mother. 333 00:21:42,770 --> 00:21:44,210 I don't understand art, 334 00:21:44,290 --> 00:21:46,770 but these guys want to be smart. 335 00:21:46,850 --> 00:21:49,730 They call themselves a collective of artists and then they are 336 00:21:49,810 --> 00:21:51,450 almost all family members. 337 00:21:51,530 --> 00:21:53,890 Come on. How are they family? 338 00:21:53,970 --> 00:21:56,650 From their surnames and address it is evident 339 00:21:56,730 --> 00:21:59,970 Most of them are relatives: uncles, cousins, brothers... 340 00:22:02,890 --> 00:22:03,890 Did you know it? 341 00:22:05,050 --> 00:22:06,570 No, of course not. 342 00:22:11,770 --> 00:22:15,250 The main culprit is the stupid 343 00:22:16,210 --> 00:22:19,130 Alma, she should be here solving this. 344 00:22:19,210 --> 00:22:22,970 She is in Beirut, I have tried to talk to her, but it is impossible. 345 00:22:23,050 --> 00:22:25,850 Anyway, I'd swear she doesn't know anything. 346 00:22:26,570 --> 00:22:29,090 What does that useless pretentious woman know? 347 00:22:38,530 --> 00:22:39,610 Clear! 348 00:22:41,930 --> 00:22:45,090 The real "performance" was this. 349 00:22:47,690 --> 00:22:49,170 Present this project, 350 00:22:50,850 --> 00:22:52,770 play with our European guilt, 351 00:22:54,650 --> 00:22:58,650 enter Spain, live in the museum and then try to stay. 352 00:23:01,850 --> 00:23:03,770 How did we not notice before? 353 00:23:05,370 --> 00:23:07,050 This Bayé, he's a genius, huh? 354 00:23:07,370 --> 00:23:09,890 How well they have done it, how well. 355 00:23:10,930 --> 00:23:15,370 Well, since I'm a good loser, I recognize what I'm dealing with, heck. 356 00:23:17,810 --> 00:23:22,250 Leo, go and tell them that we have already discovered everything, 357 00:23:24,090 --> 00:23:27,330 and if they don't leave the minister will call the police 358 00:23:27,410 --> 00:23:28,770 to be evicted. 359 00:23:31,690 --> 00:23:32,730 The minister? 360 00:23:32,810 --> 00:23:33,810 The minister 361 00:23:35,010 --> 00:23:38,570 And tell them that if the police come they will have a very bad time, 362 00:23:40,170 --> 00:23:43,370 They are going to imprison them and expel them from the country, 363 00:23:44,090 --> 00:23:45,210 and in that case, 364 00:23:45,930 --> 00:23:48,810 Everything they have done will have been in vain. 365 00:23:52,410 --> 00:23:53,410 What are you waiting for? 366 00:23:59,010 --> 00:24:02,130 There are five Endiayé and three Diop and they are from the same town, 367 00:24:02,210 --> 00:24:03,330 They are family for sure. 368 00:24:05,170 --> 00:24:06,850 I have been given this for you. 369 00:24:08,610 --> 00:24:09,610 For me? 370 00:24:09,930 --> 00:24:10,930 (NODS) 371 00:24:11,330 --> 00:24:14,250 Don't even think about trying this. It is a deadly weapon. 372 00:24:14,330 --> 00:24:15,330 Well, so? 373 00:24:15,930 --> 00:24:18,410 They say they are not leaving, they are going to resist, 374 00:24:18,490 --> 00:24:20,490 They don't care about the police or anything. 375 00:24:21,090 --> 00:24:23,570 Great, do you want it to be the hard way? 376 00:24:24,330 --> 00:24:26,410 Well, we will file a complaint. But... 377 00:24:27,170 --> 00:24:29,730 Andrés, please file a police report. 378 00:24:39,650 --> 00:24:42,330 We should have chosen that frivolous Dutchman, 379 00:24:42,410 --> 00:24:44,250 instead of these hopeless people. 380 00:24:47,010 --> 00:24:48,970 Marisa, why don't you go home? 381 00:24:49,050 --> 00:24:52,010 No, I prefer to stay until everything is resolved. 382 00:24:52,090 --> 00:24:53,090 Already. 383 00:24:53,730 --> 00:24:56,690 Have you made the complaint? Yes, but there is another problem. 384 00:24:56,770 --> 00:24:58,170 From the union. That? 385 00:24:58,250 --> 00:25:01,530 They are going to call a strike to show rejection for expelling 386 00:25:01,610 --> 00:25:04,210 to the "African brothers". What criminals. 387 00:25:04,290 --> 00:25:07,730 But they would avoid it if we agree to permanent contracts 388 00:25:07,810 --> 00:25:09,730 of 11 precarious workers. 389 00:25:09,810 --> 00:25:12,610 What a piece of bastards! As is. 390 00:25:18,130 --> 00:25:20,930 Are we in time to dismiss the complaint? 391 00:25:21,770 --> 00:25:22,770 Yes. 392 00:25:24,890 --> 00:25:26,130 I have a better idea. 393 00:25:27,810 --> 00:25:31,130 "I have the director of the Santander museum, shall I pass it on to him?" 394 00:25:31,410 --> 00:25:32,650 Yes, Marisa, thank you. 395 00:25:33,970 --> 00:25:35,690 (ringtone) 396 00:25:36,330 --> 00:25:37,890 Hello, Ramon! How are you? 397 00:25:37,970 --> 00:25:39,810 "Antonio, how long." A lot. 398 00:25:39,890 --> 00:25:41,730 "Thank you for calling. Everything's fine." 399 00:25:41,810 --> 00:25:42,810 Glad to hear it. 400 00:25:42,890 --> 00:25:44,770 "All good?". Yes all ok. 401 00:25:44,850 --> 00:25:45,850 "Great". 402 00:25:45,930 --> 00:25:49,570 I'm calling you to make you an extraordinary offer. 403 00:25:49,650 --> 00:25:50,810 "I hear you." 404 00:25:50,890 --> 00:25:53,730 We have just presented a performance at the museum. 405 00:25:53,810 --> 00:25:56,970 from an incredible collective of African artists. 406 00:25:57,570 --> 00:26:00,290 It's been a long time since I've seen something. 407 00:26:00,810 --> 00:26:02,730 so forceful and so original. 408 00:26:02,810 --> 00:26:05,730 "If it has had an impact on you it must be extraordinary." 409 00:26:05,810 --> 00:26:09,050 And the possibility was opened that they could present themselves 410 00:26:09,370 --> 00:26:13,370 in some other museum in Spain and I thought about you and your museum. 411 00:26:13,450 --> 00:26:15,810 "Thank you, Antonio. What date would it be?" 412 00:26:15,890 --> 00:26:19,770 No, but, it has to be now because they start a tour 413 00:26:19,850 --> 00:26:23,330 through Asia and the United States. "United States? Where are you going?" 414 00:26:23,410 --> 00:26:24,410 To MoMA 415 00:26:24,490 --> 00:26:28,250 and to the Art Institute of Chicago, I think, I don't remember well. 416 00:26:28,330 --> 00:26:31,170 "Ah, well, what a level, right?" Yes. 417 00:26:31,250 --> 00:26:32,370 "And what would it be like?" 418 00:26:32,450 --> 00:26:35,770 We would take care of the tickets from here, 419 00:26:35,850 --> 00:26:38,170 but you should pay them 420 00:26:39,410 --> 00:26:42,250 their fees and allowances, nothing more. 421 00:26:42,330 --> 00:26:44,890 "We are a small museum." It is very accessible, 422 00:26:44,970 --> 00:26:47,930 don't worry about that. "Well, in that case..." 423 00:26:48,690 --> 00:26:51,650 What do you think? "I should raise some issues, 424 00:26:51,730 --> 00:26:53,090 But count on it." 425 00:26:53,170 --> 00:26:55,690 "I'll get water from the stones, but okay." 426 00:26:55,770 --> 00:26:57,570 Brilliant! 427 00:26:57,650 --> 00:26:59,770 "My team will be in touch." 428 00:26:59,850 --> 00:27:02,610 You won't regret it. "I appreciate it, Antonio." 429 00:27:02,690 --> 00:27:04,370 A hug. "Thank you so much". 430 00:27:04,450 --> 00:27:05,490 No, thanks to you. 431 00:27:07,610 --> 00:27:10,850 (BAYÉ) Thank you very much. (OLECTIVE) (SPEAKING IN WOLOF) 432 00:27:15,250 --> 00:27:18,610 A pleasure to have met you, you are a great artist. 433 00:27:18,690 --> 00:27:22,170 I do not take what they have done as a fraud or as a deception, 434 00:27:22,250 --> 00:27:24,530 but as a powerful work of art, 435 00:27:25,010 --> 00:27:28,530 that helps us reflect on the state of things. 436 00:27:28,610 --> 00:27:30,650 Thanks a lot. Thanks to you. 437 00:27:31,250 --> 00:27:35,410 And, well, count on me for whatever you need, okay? 438 00:27:36,050 --> 00:27:39,530 Of course, don't even think about showing up at the museum, 439 00:27:40,730 --> 00:27:42,250 because I call the army. 440 00:27:46,330 --> 00:27:47,330 See you never. 441 00:27:50,370 --> 00:27:52,010 Goodbye, good trip. 442 00:27:56,210 --> 00:27:57,530 Bayé. Leo. 443 00:27:58,010 --> 00:27:59,010 Thanks for... 444 00:27:59,970 --> 00:28:04,050 (Phone call) 445 00:28:14,890 --> 00:28:16,930 Yes, Marisa, what's going on? 446 00:28:17,010 --> 00:28:20,450 "Hello, sorry to bother you at this hour, but you just called 447 00:28:20,530 --> 00:28:23,250 security to tell me that they have destroyed 448 00:28:23,330 --> 00:28:25,730 the sculpture of Celso Santoro". How? 449 00:28:25,810 --> 00:28:27,090 "Yes, with hammer blows." 450 00:28:28,890 --> 00:28:30,650 I'm going there. "Okay." 451 00:28:35,930 --> 00:28:37,850 The fucking mother who gave birth to them!